Mixed Doubles Review - by David Tauranga - The Sun
Considering marriage? Then you might want to head down to 16th Avenue Theatre this week to get an idea of what you’re in for.
The theatre company’s latest production Mixed Doubles, which is on stage until this Thursday, is a humorous and poignant comedy filled with plenty of ‘nawwww’ moments and is well worth the price of admission.
Written in 1969, itfeatures seven short sketches that are linked together by a series of monologues which have been penned by different authors who portray marriage at different stages of life.
Handling director duties are Sarah Oemcke, Merv Beets and Geraldine Broderick who each take the reins for several sketches. All three do a remarkable job, adding their own personal touches here and there to add to the show’s flavour while still maintaining its fluidity.
Each scene features two actors on stage, a minimal set and very clever lighting. It’s this stripped back quality I loved the most, it’s as if the audience is spying on two people caught up or trapped in moments that are very intimate and personal.
The casting of Mixed Doubles is also superb, the actors do a brilliant job in portraying their characters who are afflicted by everyday trivialities, their pasts, their jobs and their marital problems.
It would have been easy to present caricatures, but they all presented their characters in a very three-dimensional way and with much dignity and respect which I adored.
Mixed Doubles is a treasure trove of life both seen and unseen that’ll leave you both laughing out loud an in deep contemplation.
The Hits Review - Scarlet Women
The Weekend Sun Review - Scarlet Women
Sex, bits and relationships on stage
I had the pleasure of meeting the nine sassy, playful and cheeky Scarlet Women on the 16th Ave Theatre stage for the first time this week. Having not been exposed to the original Scarlett Women in 2012, I didn’t really know what to expect of the sequel to the saucy, yet sophisticated, musical. I should have paid more attention to the bold warning on the brochure which read: ‘Some content may offend’. But I wasn’t offended in the slightest… more entertained. Directed by Ian and Merv Beets, the risqué cabaret-style ‘Scarlett Women Come Again’ is all about age, men, sex and personality – followed by women, revenge, relationships and Christmas. Sitting next to my mum, we were informed by the sharply dressed Master of Ceremonies Alan Baker not to take any photos of the performance. He said: “If there’s going to be any flashing, it will be done on stage”. At this point I was slightly worried the group of women giggling away in Santa hats after a dinner and a few wines, who mum and I had met entering the theatre, were going to start exposing their delicates. They refrained. Anyway, on with the show, I take my hat off (the rest of me will remain clad), to the nine Scarlet Women. Singing about sex, bits and relationships in saucy costumes must have been daunting. But these ladies did it with style and class. In fact, being a dancer myself – they made me want to pull on my heels and a sparkly get-up to join them under the spotlight. The women were extremely talented and their voices: stunning. Mum and I had many giggles throughout the show – and so did those around us judging by the boisterous laughter coming from almost every seat. Overall I loved this show. Scarlet Women is showing at 16th Ave Theatre until December 13 – check it out! Zoe Hunter
The Weekend Sun Review - Skin Tight
A story of love, war and growing old
“I thought love was supposed to be easy” – this was the quote that played over and over in my head after seeing Tauranga Repertory Theatre’s opening night of ‘Skin Tight’ this week.
But the play, written by New Zealand playwright Gary Henderson and directed by Michelle McAnultry-Smith, proved to me that although love may seem skin tight – there are imperfections.
Inspired by Dennis Glover’s poem ‘The Magpies’, ‘Skin Tight’ is a story of Tom and Elizabeth, their farm, war, love, and growing old, played by husband and wife team Alan and Dallas Baker.
At Wednesday’s opening night, the play bought both physical and mental challenges for the two-person cast, from knife-wielding to play fighting and the emotional sharing of secrets. The performance, a single scene lasting about an hour, was a rollercoaster of intermit emotions – somewhat awkward to watch sitting next to my mum.
I’m going to be honest and say the passionate acting from Alan and Dallas left me, at times, wondering if I should be sitting in the same room while the lights dimmed and they locked lips – but I applaud their brave and realistic stage performance, particularly in the scene where the married couple tossed teasing comments about each other’s faults back and forth.
Overall I’d say the play was definitely different, but very entertaining. Skin Tight is showing at 16th Ave Theatre until September 6 – go and see the drama, romance, and comedy for yourself.
BOP Times Review - Skin Tight
Challenging story cuts to the quick
- August 27 – September 6
- 16th Ave Theatre
- Written by Gary Henderson
- Directed by Michelle McAnulty-Smith
- Supported by Merv Beets
Not for the faint-hearted, Skin Tight is a raw and intimate play which takes you inside the home of Tom and Elizabeth, a South Canterbury farming couple in the late 1950’s. The 50 minute dialogue ventures into the best and worst of the couple’s life together and you’re taken on a whirlwind of emotions from laughter to a tear or two.
However through the ups and downs of their marriage, their extremely close bond and deep love for each other resounds honestly and captures the trials of any marriage. Once you overcome the bizarre feeling that you are a fly on the wall intruding in someone else’s bedroom, you become more part of the play than a spectator. Genuine laughter is shared among the audience when the couple exchange the personal conversations which many can relate to in their bedrooms.
Married couple Alan and Dallas Baker do the characters of Tom and Elizabeth proud with their real connection translating well on to the stage. As a spectator you respect their courage to take on a heavy play and share their own relationship to portray another. As Elizabeth’s time to go approaches, the heartbreak feels real and would be a challenging scene for a married couple to go through together every night.
Touching on everything from the beauty and challenges of farming life, troubled relationships and war, Skin Tight is a story the older generations may relate to and an important story for the younger generation to experience. As a confrontational and raw theatre experience, you come out feeling quite drained and pensive, but privileged to be let into the lives of Tom and Elizabeth for a night. I’ve heard a lot of stories from my Grandparents about their lives and their parents lives on rural New Zealand farms years ago but after seeing Skin Tight I felt I had been given the chance to go back in time to see them first-hand.
Recommended for a mature audience to appreciate the sincere and powerful story of just one couple.
The Hits Review - Run for your Wife
Run for your wife – Run to see it!
I’ve always been under the impression that men are barely smart enough to handle having one wife at a time. Run for Your Wife proves my theory right! Firstly let me take my monogamous hat off to a great cast and Director of this 16th Ave Theatre production. Can you imagine complicated it would be learning the lines, let alone directing, a play with the following plot: John Smith (Gavin Kerr) is a cabby in the UK, he has two wives; Mary (Sam Martin) and Barbara (Olivia Nightingale). The play is set on one stage, split down the middle in to the lounges of his two kept addresses. Neither of his wives know about the other. For three years this man has kept a strict schedule of bigamy! One night he helps an old lady who’s being mugged, gets a crack over his head for the trouble and ends up in hospital. The ensuing chaos of keeping his two lives/wives separate in the midst of police enquiries, inquisitive reporters and a brilliant idiot of an old man (Stanley, played by Simon Butler) in the flat upstairs, is hilarious. This play starts out reasonably slowly, which is actually a good thing, the pace increases steadily throughout as the lies grow both in complexity and ridiculousness. At one stage John turns in to a newspaper-eating gay man who has two wives, one a nun and the other a transvestite. All in the name of keeping his secret intact. The best part of the show is how they make a really complicated situation really simple to understand and genuinely funny at the same time. Gavin Kerr smashed it. He plays a player pretty well, to the point where it makes me wonder whether he’s actually had some experience of the situation in real life! Not that I’m an expert at it, I’m digging a hole here. Ummmmm. Let’s move on! Gavin has that knack for making parts of a script seem ad-libbed. He’s described at one stage as an ‘over-sexed numble bee’. That pretty much says it all, he’s frantically buzzing from place to place and lie to lie! My favourite character is Stanley Gardner – the old guy in the flat upstairs, played by Simon Butler. You know Father Jack, from ‘Father Ted’? Stanley is like a coherent, less drunk, funnier version of him! His physical comedy is expert! He’s the guy that has lies thrust upon him to keep the cheating going, through those lies he’s a farmer, husband, father, gay lover of John & unemployed bum! There were points where I just looked at him on the stage and laughed. He had me on a string. The two wives nail their role of having the wool pulled over their eyes, they contrast each other well. The cops move the story along with ease, and the fruity, lanky gentlemen from upstairs pushes the play to excellently awkward levels. Don’t run from your wife. Take her to this show. Will Johnston
The Weekend Sun Review - Are you being Served?
Serving up a barrel of laughs all night
This week I had the pleasure of meeting pussy-loving Mrs Slocombe, the ever-pompous Captain Peacock and always “free” Mr Humphries.If you don’t know who I’m talking about then you, like myself, have probably never watched the much-loved British sitcom ‘Are You Being Served?’. But on Wednesday night, with no idea what to expect, myself and three friends sat down at 16th Avenue Theatre to check out their stage adaption of the show. And here’s my pun for the day – they sure served up a barrel full of laughs. For those of you who don’t know ‘Are You Being Served?’ is set in the ladies’ and gentlemen’s clothing departments of Grace Brothers, a fictional London department store. This adaption sees owner Mr Grace close the store down for repairs and treat his staff to a “luxurious” holiday abroad. I probably don’t have to tell you that their luxury holiday does not pan out exactly as they had hoped…. All of the lovable characters are there, including my new favourite Mrs Slocombe, who harbours secret desires for a male companion and wears undies stamped with the Union Jack and the lovable, “always free” senior assistant in the menswear department: Mr Humphries. Played spectacularly by Robert Ashford-White, Mr Humphries really steals the show. Whether he’s battling useless clients on the phone, or dressing up in Mrs Slocombes’ dressing gowns, he had the audience in stitches all night. The cast and crew did a fantastic job all-round of offering classic comedy – whether they were singing in the toilet or adorning blue wigs and German outfits two sizes too small. Whether you’re a seasoned fan of the show, or a newbie like me, 16th Avenue Theatre’s production is a guaranteed giggle. And if the full house on Wednesday was anything to go by, the show will be a super success. Corrie Taylors Weekend Sun
BOP Times Review - Talking Heads
Moving tales go deep into soul
Review: An evening of Talking Heads – Rehab Theatre Green Room Produtions. Two of the six monologues written by the British playwright Alan Bennett for the Talking Heads series can be seen and heard this week during a special Rehab Green Room Production at the 16th Ave Theatre. First produced for BBC television in 1988, Talking Heads monologues also appeared on the West End Stage in London in 1992 and 1998. They are extraordinary portraits of ordinary people, presented with razor-sharp wit and deeply felt humanity. The show is directed and produced by Jez Jones for Rehab Productions and features Christine Giddens and Geraldine Broderick. In each monologue, Soldiering On and Bed Among the Lentils, a woman bares her soul and talks about a period in her life that changed her forever. Soldiering On presents the initially wealthy and slightly naive Muriel, played by Geraldine Broderick. After her husband’s passing, Muriel tries to deal with her daughter’s mental illness while her son ruins her financially. But she is strong, so she soldiers on. Christine Giddens, a familiar face on the 16th Avenue Theatre stage, plays Susan in Bed Among the Lentils. Susan is an alcoholic vicar’s wide who distracts herself from her husband and his doting parishioners by starting an affair with her 26-year-old Indian grocer. She learns something about herself and God along the way. Mixing the comic and the tragic, these tales show human fragility and Geraldine and Christine bring this intimate style of theatre in an exceptional way. Martin Rolls
BOP Times Review - Calendar Girls
Tasteful nudity meets flawless performances
Calendar Girls 16th Ave Mild nudity met genuine quality and heart at Tim Firths Calendar Girls on Wednesday night. Directed by Julie Lankshear and starring a mixture of theatre regulars and newcomers, the play expands on Firth’s script, based on a real group of fundraising Yorkshire women around the turn of the century. It does the film and all those involved in the production justice, flowing seamlessly through the final seasons of the excellent Warren Atkinson’s turn as John and into the grieving members of the Women’s institute risqué attempt to raise funds for a new settee for the hospitals visiting room. When it arrives the nudity is tasteful and clever, the revelations coming one after another just before the interval like the sweetest of punchlines. With such a well-known story the plot inevitably takes a back seat to the performances that were strong throughout. Christine Giddens barely left a dry eye in the house as Widow Annie, and again formed a lovely repartee with Geraldine Broderick’s generally unreliable, spotlight-loving Chris. That dynamic formed the backbone, allowing a collection of well-rounded characters inhabited by actors making their 16th Ave debuts to find their strides easily. The returning Allison Stewart as Marie was full of energy but suitably restrained as a stuck-up, social climbing institute head with a common streak, while Lauren Cowgill – a real Yorkshire girl, no less – was charming and impressive while singing and playing the piano. Benny Ron, another on debut at the theatre, was appropriately likeable and crude in the dual roles of Lawrence and Liam, while the rest of the cast performed admirably on a near faultless opening night. Review by Ben Guild